Jamie "Hook" (
lost_first) wrote in
agoodyarn2019-10-21 09:58 am
for wheatcakes: post aunter nonsense
[ When he walks through the blue door, his thoughts are entirely on Peter. Peter the man. Peter the... Spider-man, of all things. Which is why he's not surprised that he does not end up in his rooms on the Jolly Roger. Oh no, he's much too busy being surprised at the fact that he's on a rooftop in the middle of Midtown, because there's a lot to be surprised about when you're a centuries-old pirate who grew up on an island paradise hellscape.
The first thing is the noise, and he's glad he's nowhere near the edge of the building, because if he was, he's not sure that even he would be able to keep his footing. His hand grasps at some manner of cord of cabling, one that feels as if it is made of nothing short of metal, and he steadies himself, adjusts the the cacopheny as he looks out.
It is mid-day, unsurprising given that that is what it'd looked like when he'd landed on this rooftop. And behind him is some manner of large painting, a great big picture talking of a smiling woman and some manner of food in a cup that she's clearly enjoying. He doesn't know what 'yogurt' is, but he fully intends to try it if it can make a woman that joyful.
His wounds remind him of their existence: the lines on his arm, the bite across his middle, the bruising from Sebastian's last attempt at life and his fall from the glass box onto the pavement. He pushes them aside, however, to start planning.
He knows... one person here. One man. Peter. Spider-man. But even from here, he can see more people than he even knew existed at one time. A veritable sea of human beings. How in the world is he going to find Peter? For that matter, how exactly is he going to make his way down from here?]
...well, at least I have the knife still.
[ It's something, and he tries not to discount advantages when he has them.]
The first thing is the noise, and he's glad he's nowhere near the edge of the building, because if he was, he's not sure that even he would be able to keep his footing. His hand grasps at some manner of cord of cabling, one that feels as if it is made of nothing short of metal, and he steadies himself, adjusts the the cacopheny as he looks out.
It is mid-day, unsurprising given that that is what it'd looked like when he'd landed on this rooftop. And behind him is some manner of large painting, a great big picture talking of a smiling woman and some manner of food in a cup that she's clearly enjoying. He doesn't know what 'yogurt' is, but he fully intends to try it if it can make a woman that joyful.
His wounds remind him of their existence: the lines on his arm, the bite across his middle, the bruising from Sebastian's last attempt at life and his fall from the glass box onto the pavement. He pushes them aside, however, to start planning.
He knows... one person here. One man. Peter. Spider-man. But even from here, he can see more people than he even knew existed at one time. A veritable sea of human beings. How in the world is he going to find Peter? For that matter, how exactly is he going to make his way down from here?]
...well, at least I have the knife still.
[ It's something, and he tries not to discount advantages when he has them.]

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Jamie, unlike Peter, is nothing but scars, of various shapes and sizes and severities. The body underneath is lean and toned through a life of hard living, fighting, and a lean diet almost entirely devoid of many of the staples of modern living, and Jamie is clearly comfortable in his body as it is now even if the change had been startling at the time. The crocodile bites from earlier, the lines on his arms, look like they're a few days old as opposed to a few hours: closed if a little tender.
There's a bit of a farmer's tan on him, clear marks where his clothes would usually sit over him under the Neverland sun, but he'd always been one for swimming and movement and that means there's no real 'pale' spots to be found.
Jamie, smiling in his triumph, slips into the other side and leaves Peter the pillows, laying on his arm as he'd intended to.
"Now, we're both comfortable."
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"We're negotiating. Take a pillow or I mutiny, Romeo." Because Jamie looks really nice and um don't think about it too hard.
"Also, I store. And I have cold feet. Apparently sometimes I kick things. People, pets, imaginary objects. But I will make you coffee in the morning."
Externalizing his anxiety into jokes is definitely the best way to go about this.
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"All the things you mention, I have dealt with worse and more of it. You, at least, seem to wash at least every couple of days of your own volition."
He's curious about one thing.
"'Romeo'?"
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He's knocked out of his confusion by the pillow, but he'll just take that one as well. God, Peter.
"I prefer tea."
...maybe he'll thwap him back a couple of times. Now that he has one.
"'Romeo'."
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"I'm starting to think you say things just so I can ask you about them."
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"This is just how I talk. I've tried to stop, believe me."
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"Is that what has you acting the fool? You'd rather not be 'sleeping'?"
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"Peter. Calm."
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"You're clearly upset. So I'm worried."
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"Should I stop this and go to sleep?"
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"What... what do you want?"
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"I'd like us both to get some rest. And then we can talk about it in the morning."
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Peter lets out a sigh. "I'm glad you're the smart one," he says, and cuddles in close, unable to help the smile on his face, in his voice.
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"Aye," he agrees, "now get some sleep, oh dread slayer of avocados."
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"Never," he says, and takes Jamie's hand, bringing it next to him on the pillow so he can kiss it lightly, "never gonna live that one down."
But sleep takes him quickly afterward.
(He wasn't lying about the snoring.)
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And when Peter's fallen asleep, when the snoring starts, Jamie smiles again and lets his eyes shut. For all that he's a light sleeper, he's well used to sleeping noises from those he's claimed at his own. He'll be out within a few minutes as well.
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No prompts to wake up. No force. He likes lazy mornings. They're rare treasures, in his book.
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